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Critically acclaimed as one of America's leading ensembles, The Manhattan String Quartet is celebrating its 41st season. Hailed by Michael Steinberg of the Boston Globe as “a national treasure”, The Manhattan Quartet has appeared throughout the United States, Europe, Japan, Canada, Mexico and South America. Well known for their performances of 20th-century “classics”, the Manhattan String Quartet has established a significant international reputation as today’s pre-eminent interpreter of the fifteen string quartets of Dmitri Shostakovich. In 2005, they presented the cycle to sold-out houses in Nagoya and Tokyo, Japan. The ensemble’s benchmark transversal of the Shostakovich cycle was the only chamber music recording to make TIME’s “Best of 1991” classical music list. The Quartet appears regularly in the musical capitals of Europe including Paris, Prague, Budapest, Leipzig and Vienna. In 2005 they presented the Shostakovich quartet cycle in Nagoya and Tokyo, Japan to sold-out audiences. Since 1981 the Manhattan String Quartet has hosted annual teaching and performing conferences in the United States and Europe for young professional quartets and amateur string players. |
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Mr. Macomber has for many years been recognized as a leading advocate of the music of our time. He has performed in hundreds of premieres, commissions, and first recordings of solo violin and chamber works by, among others, Carter, Davidovsky, Perle, Wuorinen, and Mackey. In 2008 he premiered and recorded the Martin Boykan Violin Concerto with the Boston Modern Orchestra Project. As first violinist of the award-winning New World String Quartet for 11 years (1982-1993), Mr. Macomber performed the standard repertoire as well as numerous contemporary works in performances in major halls throughout the United States and Europe, and, with the Quartet, was appointed Artist-in-Residence at Harvard University from 1982-1990; with that group he also recorded 14 discs and performed numerous times on Public Radio and Television in this country, and the BBC in Great Britain. Mr. Macomber is a founding member of the Apollo Piano Trio, violinist of the Da Capo Chamber Players since 2007, a member of the Manhattan String Quartet as of fall 2011, and a member of the New York Chamber Soloists. He was for many years the violinist of Speculum Musicae and has also appeared with the New York New Music Ensemble, Group for Contemporary Music, Sea Cliff Chamber Players, and in chamber music series across the country and in Europe. He is a regular participant at La Musica in Sarasota and at the Monadnock Music Festival. He has recorded for Nonesuch, Koch, Bridge, Arabesque, Naxos, and Musical Heritage; CRI has just released his third solo recording, entitled "Casting Ecstatic"; the previous disc ("Songs of Solitude") was named by the New York Observer as one of 1996's best instrumental solo discs ("Macomber's intensely human fiddle...seems an entire universe, sufficient unto itself."). The complete Grieg Sonatas are available on Arabesque, and the complete Brahms Sonatas on Bridge. Mr. Macomber is a member of the chamber music faculty of the Juilliard School and the violin faculty of the Manhattan School of Music, and has also taught at the Tanglewood Music Center, Taos School of Music and Yellow Barn Music School. Other recent summer engagements have included Chamber Music Northwest and the Bard Festival. He holds his B.M., M.M., and D.M.A. degrees from the Juilliard School, where he was a scholarship student of Joseph Fuchs and winner of the Morris Loeb and Walter Naumburg Prizes. |
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In addition to his worldwide touring with the MSQ, Mr. Wiersma has been heard at numerous summer chamber music festivals including the Aspen Music Festival and the Vancouver, Rockport, Bard, Portland, Crested Butte, North Country, Central Vermont, New Hope, Interlochen, Prairie School, An Appalachian Summer, Cape May, and Music Mountain Festivals to name but a few. Former member of New York Philomusica, and frequent performer at Bargemusic, he has also performed with the Da Camera Society of Houston, the Sea Cliff Chamber Players, The Festival Chamber Music Society, The Chamber Music Society of New Hope, the Carnegie Chamber Players, and Close Encounters with Music. Mr. Wiersma's wide range of musical activities have recently included an international tour soloing with Kathleen Battle, national and international tours with the Orpheus Chamber Orchestra, appearances at the Berkshire Bach Festival performing the complete Brandenburg concertos, and concerts at the Metropolitan Museum of Art with flutist Paula Robison. His recently completed recordings include Jacob Druckman's Third String Quartet for Philomusica, a recording of Elliott Carter's Syringa, Swan Song by Milton Babbitt, a recording of chamber music of Nils Vigeland, and an album of Chamber Music of Stephen Foster with Ms. Robison for Telarc. A noted performer of contemporary music, Mr. Wiersma is a member of Cygnus, the Lochrian Chamber Ensemble, and the Ensemble Sospeso, and has appeared with Speculum Musicae, Ensemble 21, Parnassus, and the New York New Music Ensemble. He has recently completed European tours with Steve Reich and Ensemble 21, and has been featured in solo performances for the International League of Composers of Music. Mr. Wiersma was the creator of the music program and served as the first Music Department Chair at the Bard High School Early College, an innovative New York City Public School for gifted students, and has been a music education coordinator for the American Symphony Orchestra. An active teacher as well as performer, Mr. Wiersma is an Assistant Professor of Violin and Chamber Music at the Purchase Conservatory of Music, and has been on the faculties of the Lawrence Conservatory of Music, Florida State University, Brandeis University, the New England Conservatory, and the Longy School of Music. He has conducted clinics and master classes throughout the world, and has been an artist in residence at numerous institutions, including Middlebury College, Colgate University, the California Summer Arts Program, the Smolny Institute in Moscow, Russia, and the Institute for Chamber Music in Khiryat Shemona, Israel. |
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JOHN DEXTER, violist, was born into a family of professional musicians who at an early age recruited him for the family quartet. His musical training began in Des Moines, Iowa where he received his first performance degree at Drake University. He then traveled to New York City via a short army stay in the West Point Quartet to study at the Juilliard School with such luminaries as Dorothy Delay and Lillian Fuchs. Performing in a string quartet from his earliest years proved a powerful force on his performance career and he began his concertizing with the Madison String Quartet. During the time he served as their violist from 1973-1979, Mr. Dexter was a member of the Colgate University and Hamilton College faculties; performed extensively throughout the U.S. and Europe; and made several recordings of contemporary music. Since joining the Manhattan String Quartet in 1980, Mr. Dexter has made twenty critically acclaimed recordings; given Music Mountain radio broadcasts to millions; presented three Shostokovich cycles in New York City and on French radio. His touring with the quartet has taken him to North and South America, to Europe and on three historic tours of the former Soviet Union during the Glasnost era. Mr. Dexter is constantly expanding his activities as soloist with orchestra and guest artist with other chamber groups. His recording of Anthony Newman’s Viola Concerto on Newport Classics has been accorded high praise by the critics for his virtuosity and musical poetry. As Principal Violist he has performed with the New York City Opera Orchestra, Philharmonia Virtuosi, the Joffrey Ballet in New York City, the American Symphony Orchestra, the American Composers Orchestra, and the Hong Kong Philharmonic. Mr. Dexter maintains a very active teaching schedule with a large private studio for individual lessons and chamber music coaching. |
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CHRIS FINCKEL - Born into a family of cellists, Chris Finckel began his studies with his father George Finckel and is a graduate of the Curtis Institute of Music where he studied with Mischa Schneider and Orlando Cole. A frequent guest artist with such renowned ensembles as the Tokyo String Quartet and the Orpheus Chamber Ensemble, Mr. Finckel has appeared at the Casals, Santa Fe, Ravinia, Saratoga, Norfolk and Rockport Chamber Music festivals, and has recorded for the Nonesuch, New World, CRI, Bridge and Vanguard record labels. A dedicated performer of 20th-century music, Chris Finckel has been involved in New York City’s contemporary music scene for over 20 years. Through his affiliations with such organizations as the New York New Music Ensemble, Parnassus, The Contemporary Chamber Ensemble and Speculum Musicae. He has participated in the premieres of the works of over 100 composers including pieces by Milton Babbitt, Jacob Druckman, Elliot Carter, Mario Davidovsky, Donald Martino, Steve Reich and Charles Wuorinen. |
